Happy Winterval…

Well, I did have the best of intentions. I was going to write a proper ‘end-of-the-year’ post – thoughtful, retrospective, entertaining, insightful… but… I’m just beaten. Really, totally beaten. My head is fit to split and I’m seriously in need of some down time. So, this is just to say thank you for your company this last year. I hope you’ll be back in 2017. In the meantime, here’s a slightly blurry picture of Dexy looking surprisingly content about being wrapped in tinsel – an annual tradition.

dexy-tinsel

Happy Winterval, dear reader!

Stacked Earrings V

Long time visitors to this blog may remember that about two years ago I participated in the first of a series of fun wee earring-making blog hops. The idea was suggested by Malin de Koning, who proposed that a group of five of us make earrings from a collection of pairs of beads that she had put together (head here for more details and to see the first blog hop). Subsequenty, each of us put together a pack of beads and then sent them out to the rest of the group. The last time we did one of these blog hops was in February 2016, so it’s been a while. This final pack that we’ve been working with was put together by Heidi Post. And, through an usual turn of a events, I’ve actually had them since May, 2015! At the time, it was thought that this final hop would be happening much sooner than it is, and Heidi had to send something else to me, so she included her bead selection in the parcel.

14958310_10154535209831598_881510156_n

I actually made some earrings when I received them. Just recently, with a date set for this hop, I looked at them afresh and ended up taking most of them apart and re-designing them. Looking at this photo above, I see that I really haven’t done a very good job of incorporating the larger beads to the right of the picture. The beads that first caught my eye were the black stick pearls on the left. It’s a shape I’ve used quite a bit in earrings in the past, using tektite and black tourmaline crystals. These first two pairs were both re-made recently.

dark-things

The marvellous dark things are from Petra, of course. The other beads are from the pack.

awkward-squad

I really liked the unusual colour mix in the lampwork beads at the top of these, and so I worked with it throughout this pair. The thing I like about these earrings is that they’re actually slightly awkward and strange in outline. I think I tend towards more conventional, balanced profiles when designing; it’s good to diverge from these habits sometimes.

The next pair were made not long after I received the pack.

south-west

A good part of them are beads from Heidi’s selection.

Now for the earrings made more recently. Here I’ve combined some of my porcelain tusks with the curved tube beads and a couple of other tiddlers from the pack. I’m afraid that they look frankly peculiar in this picture!

curves

When they’re on, however, they’re going to sweep gracefully below the chin, framing the face. In the next pair I’ve mixed a selection of the kinda earthy, autumnal coloured beads from the pack with some black slice beads and some unpolished amber.

plum-stacks

The drops, which match so well, are from Robyn Cove. Finally, I have two pairs of skinny stacks that barely make the grade because they only include a few of Heidi’s beads. The minimum we’re supposed to use is three and I’ve not managed to use any more than that in either pair. Still, they exist…

steely-skinniesicicles

Again, more Petra pieces here, along with some lampwork from Linda Newnham.

I haven’t listed any of these yet. I could only face taking a few quick snaps this morning (hence my failure to take a more flattering picture of the tusk-y jobs). The whole silver listing marathon has left me with scant appetite for photography and drafting listings. At least some of them will find their way into the shop anon. If there is anything that particularly catches your eye, do message me through Etsy.

But before you do anything else, go check out what the others have made – the links are just below. A big ol’ thanks to Heidi for sending this cool pack of treats! And thanks to Malin, again, for setting this whole thing in motion!

Malin de Koning – BeadingByMalindeKoning – www.beadingbymalindekoning.blogspot.se

Rebecca Anderson – SongBead – www.songbeads.blogspot.com

Leah Curtis – BeadyEyedBunny – www.beadyeyedbunny.blogspot.com

Heidi Post – ExPostFacto – www.expostfactojewelry.blogspot.com

Finally… Something of Substance on the Silver…

For some time now I’ve been mentioning my silversmithing but failing to share any images or discussion here. It’s been such a thing, and it’s been going on for large parts of the last year. There’s so much that I feel I want to record about the process, I don’t know where to begin. I did, however, make something of a start on doing this when I was still writing for the Art Bead Scene blog. I wrote several posts on my early metalworking progress and I also wrote about setting up the tiny metal workshop that I’ve created in my airing cupboard. As these posts cover quite a lot of what I’d wish to cover on this blog, I thought it would be easiest to include them here in one long post: a kind of Me and the Metal: The Very Early Days, if you like. (Apologies if you happened to read them at the time; I’m just a bit lazy!)  Inevitably, reading these posts back now, there are things I want to correct; matters that I’ve since learnt about, of which I was ignorant at the time. So, I’ll chip in between the posts. I should say, first of all, that I’m less than impressed with my sawing skills on the first pair of studs in this post from last November, but hey – it was still the very early days….
Sometimes I find that, when my Inside the Studio post comes around, I risk going over the same things: I’ve been making beads; I’ve been making jewellery. And, since my last post, I’ve done plenty of both. But, I actually have other things to report on!  For a long time now, I’ve wanted to get to grips with metalwork. Ages ago, when I first got into making jewellery, I bought a load of kit for silver-smithing, but for various reasons, I’ve never set to and used it all.  I bought books and read things online, but I find taking in instructions from reading things quite difficult. Finally, during the summer, I got my act together and booked a place on a silversmithing course.  It’s not that I really wanted to start making silver jewellery. I’m planning to use other, more affordable metals, in the main, I think. I just needed opportunity to get comfortable with the various tools and processes. However, I have got a little seduced with working with sterling.

 
 
 
This crop of earrings – all kinda minimal (and not without some flaws!) – have all been made during the six weeks of the course. The term finished this week but I’ll be booking on to go back in the new year.  I am now far happier with the logistics of soldering, and I really want to do it some more, preferably sooner than next year! One of the things that has held me back from trying soldering, etc., at home is the lack of space. I’ve moaned about this here before, numerous times, in relation to one thing or another. Speaking to Christina, the jeweller running the course, I’ve come to see that the table area I was planning to use wouldn’t necessarily be the safest place. Then, about a fortnight ago, I had a brainwave. In the corner of my flat there is what I – and certain close friends – would describe as ‘a naughty hole’. To flesh the term out, I guess I’d describe a ‘naughty hole’ as any cupboard or hidden space where undesirable junk and clutter or ‘just stuff’ is stored/dumped, usually in a careless, haphazard manner. You open the naughty hole door, you take the thing you’re struggling to house, you sling it in the naughty hole, you shut the door, you forget about it.

Now, my naughty hole isn’t just a cupboard. It’s a walk-in naughty hole. Can you guess what my brainwave might have been? I really can’t believe I didn’t think of it sooner!!  If I clear out the naughty hole I can set up a jeweller’s bench in there!! And possibly have space for other things! Like good, orderly storage! And places to keep all of the many, many things!  But… oh… oh no, that means…. I have to clear out the naughty hole!


That will be quite a tall order. Towards the back of the hole there is stuff that I stacked up in there when I moved in. Heaven knows what half of it is. Dozens of VHS tapes that I can’t play, that no charity shop will take, that can’t be recycled easily…. but that belonged to my grandma?  Mountains of bank statements and suchlike that need shredding before disposal. About 8-10 years worth of the Times Literary Supplement and The London Review of Books. If I chuck them out, am I abandoning academia forever? Oh, naughty hole!!

BTW, am I the only person preserving one of these?

Because: design classic? Thought so…

The mouth of the hole poses another problem. At some point, I did attempt to set up some sort of storage nearer the door; there are some old shoe racks on which I had piled my unused metal tools, my polymer stuff, and various other supplies and kit. This started in an orderly fashion but has since descended into chaos. I messed it up even more the other week, trying to find my neglected metal tools under the other stuff. Now it looks like some kind of craft-based dirty bomb went off in there.

Just writing about the task in hand is making my head spin. I’m telling myself that, now we have this lovely expanded ABS team, and now I only write an Inside the Studio post every other month, I might have it sorted by the next time I join you. I so hope I can do it. Wish me luck!

One of the many, many things that I’ve learnt along the way – but this is a big one – is that, in most cases, it’s really worth using silver over copper, especially for making elaborate, time-consuming things. Sure, silver is expensive. but it’s not that expensive. The other cost that really racks up when making a substantial piece, is that of your time. I soon came to the conclusion that if I’m going to spend hours slaving over something, I want to be able to charge a decent price for it, and – as a quick scan of Etsy will show – you simply can’t command anywhere near the same price for a piece made in copper that you can for a piece made in silver. Moreover, there’s every chance that you’ll spend even more time working at the copper because you’ll need to remove all signs of the silver solder (assuming you’re using silver solder), which is far more visible on copper, obvs (although I have learnt a trick to help with this problem). I think this is particularly the case with bezel-set rings, as the connection points are more conspicuous. Also, rings receive more scrutiny when they’re worn – at least, I think that’s the case. It’s less of an issue with bangles, say, or earring hoops or pendants. So, I may have thought then that I’d largely be working with copper but I’ve ended up working primarily with sterling, and I love the stuff. I used not to be so bothered; now I get anxious if I feel I’m getting low on my favourite gauges of wire and sheet.

On to the next post, which I wrote in January this year. This is an extract from a longer post covering various things.

Is it a little late to be wishing you all a happy new year? I hope you’re all contending with the potential gloominess of January. I last shared an Inside the Studio post with you back in early November. Perhaps you’ll remember: I have recently taken up metalwork and I had plans of converting my under-the-stairs cupboard – aka the naughty hole – into a little work space.  There was a problem, however. Five years of accumulated junk and mess.
 
 
Well, it certainly seemed like a mammoth task. I was shocked just now, revisiting these pictures. A chance turn of events lead to me actually taking it on. I was telling a friend about my plans, a friend who actively likes sorting and tidying (I know?!), and she said, ‘Right, we’re going to do it’. I can’t thank her enough. It took two long afternoons-into-evenings-into-the-small-hours to sort it all, and it was pretty tough going and stressful at points: so many things to have to decide to throw away; so many, sometimes painful, memories unearthed. (Some of the stuff at the back had been dumped in there when I moved into the flat and that wasn’t the best time of my life.) But we did it! Can you see the little pixie door? Where the metal working pixies live?
 
 
Open wide and what’s inside….
 
 
I hope you’ll agree, it’s a pretty remarkable transformation! This is going to be the tidiest it will ever look, I reckon!  I’m so chuffed; I’ve only just got to the point where I’ve stopped going in and turning on the light and just thinking, ‘Eeeeeeeeeee!’ One thing I hadn’t remembered was that the naughty hole was actually an airing cupboard.
 
 
My first thought on seeing this beast (which actually serves all the flats in the damn building) was: ‘Oh, thank goodness! That’s several square foot of stuff I’m not going to have to drag out of here and and re-locate!’ Once this relief had worn off I was a bit disappointed that it was lurking in there taking up precious space. Still, I reckon I’ll live with it well enough.
 
So, it’s now time to pick up the torch/saw/file/hammer, etc.  My classes started again last night. I’m making bezels for stones. I was working on my first one again this morning. I got to the stage where I had it looking all neatly trimmed and thought, ‘Oooo, look, that looks like what it should look like! Will the stone fit nicely? Yes, it fits very nicely!’ Hot on the heels of that thought came, ‘Oooooo, look, is it? Yes, look, it is… it’s…. stuck…’. I’ve tried finding something thin enough to lever it out, but nothing is thin enough. I’ve tried running water into it. I’ve tried tapping it on the back. I’ve tried tapping it on the back with a hammer. I’ve tried holding it in a pair of tweezers and hitting it on the back with a hammer. I’ve tried holding it in a pair of tweezers and hitting it on the back even harder with a heavier hammer. No joy. It’s only a small, inexpensive, piece of moss agate but if anyone has any suggestions, do share!
I think the only thing to say here is that, despite a wealth of helpful suggestions, I never did get that wretched moss agate cab out of the bezel. I still have it somewhere – an object lesson in the importance of dental floss when seeing if your stone fits its setting!
Finally, this is an extract from the last post I wrote for Art Bead Scene in February 2016:
In the last couple of weeks. I’ve primarily been focused on the metalwork that I wrote about in my last Inside the Studio post.  I’ve been happily settling into my new workspace, filling it with tools and pleasing things – the utilitarian things; the lovely, visual things. It’s the closest I’ve ever got to a dedicated studio. (Well, my living room is as much studio as it is living room.) So, it’s still kinda exciting – and I rather love its diminutive proportions.
 
 
(Apologies for the blur – it’s hard to photograph this space through the aperture of its mini door.)
 
I really must thank all of you who expressed concerns about the lack of ventilation. (I even had one lovely reader message me. You know who you are – thanks again!) Of course, you were all right and I was… optimistic? After a few short bursts of soldering in there, even my raddled lungs were questioning the wisdom of it. Fortunately, I located another area of my flat that is also sorely underused and all set up for tolerating heat!
 
 
I know – I just boss health and safety! I must be making some progress because I’ve been happily soldering away in my pyjamas, which is not something I’d ever imagined. (NB. Never solder in your night clothes.) I had hoped to include some images of finished pieces with you. One thing I’m still getting my head round is the amount of time that metalwork takes (for instance, the filing, the endless, endless filing…. ) – especially when you’re still learning. I just have to keep telling myself that there are things that were boggling a few weeks ago, that I’m now doing with some ease. I have a stack of things in the works, including a number of bezelled rings which now need setting. I had my first go at setting in my class last night. Like a fool, I’d imagined it would be a relatively quick job. Will I never learn? For the first time ever, I’m wishing I had muscles in my arms. Why can’t I order them from Cookson’s like everything else?
I’m sure people who read this must have wondered what the hell my problem was. Why was I struggling so much with the setting? Well, I was making my bezels from 0.7mm sterling sheet. I’ve since learned that it’s best to use fine silver so I’ve swapped to 0.5mm fine silver strip. I did try the 0.3mm fine silver strip but I really can’t get on with it; it’s like working with tin foil. I think my early use of thick sterling has lead my to favouring a thicker bezel – something with a bit of resistance and the scope for shaping and sculpting.
By this stage in the proceedings (i.e. February 2016) I was fairly close to the point where I felt fairly comfortable doing simple bezel settings. All of these still get a good amount of wear.
simple-rings-group
And I was moving on to developing more involved and distinctive designs.
double-ring
the-mooring-of-starting-out
The last two rings are amongst a large crop of metal pieces, primarily silver, that I have ready to put into the shop. They’re all ready to go! The listings are drafted, they’ve all been hallmarked, I just need to take some more photos and edit them. I’ll come back in the next day or so to share some pics of more recent designs.

Bead Shop Update: Wednesday, 14th September, 6.30pm BST

So, I’m back with the details of the bead shop update and some images of the other new beads I’ll be listing, aside from the sawdust fired beads I shared in the last post. The update will be happening this Wednesday, 14th September, 6.30pm BST. There are lots of new designs, including some new sets. I love the interaction of the glazes on these:

hazy-meadow-wheel-set-1

jewelled-primitive-barrel-set-golden-yellow

striped-primitive-barrel-set

primitive-scroll-set

sun-up-mini-tube-set

And this, above, is one of my current favourite glaze combinations.

sun-up-lantern-points

See?

There are a lot of new earring charms.

verdant-layers-bullets

dusk-over-snow-bullets

sun-down-bullets

escape-to-the-tropics-long-drops

tattered-industrial-drops

multi-glaze-numbered-industrial-drops

old-gold-textured-banded-drops

tribal-striped-lantern-drops

lagoon-and-egg-shell-pods

rosy-sky-shields

And that is just a few – believe me! I’ve also done some autumn. I don’t tend to do seasonal beads but, while I prefer summer, there’s something irresistible about the colours and forms of autumn.

autumn-leaves-group

seed-heads-group

seed-heads

But if that’s not for you there are some more colourful things.

moth-wings-group

There’s a scattering of head pins –

faded-shades-carved-porcelain-heapins

And the sets of earring pairs are making a return –

earring-pairs-a

along with more tubby cones…

glowing-embers-and-copper-tubby-cones

cognac-and-green-tea-chubby-cones

I think that’s most of the categories covered. Here’s a link to the bead shop. This lot will be up in the shop tomorrow at 6.30pm BST. I’ll leave you with a few more pics of more new things…

molten-ombre-cone-pair

red-copper-and-aqua-textured-discs

stick-stack-connectors-earthy

 

watercolour-wing-charms

Sawdust Firing Love

Several weeks ago I went to do a sawdust firing with Jenny Barton (Enigma Pottery), whose classes I attended a couple of years ago to refresh my ceramics knowledge.  It was the first time I’ve tried sawdust firing and a one-off session, so, in the weeks prior to doing it, I spent a good amount of time reading up on the process. Sawdust firing, if you don’t know, is a low-fire technique similar to pit-firing, but done in a brick built kiln or some kind of metal container (which is what I used), rather than a hole in the ground. The kiln is packed with sawdust and other combustibles, which surround whatever it is you’re firing. Amongst this, other materials can be included to create different fumes which produce different effects and colours on your work. This might include salt (and anything salty!), oxides, dried plant matter, different woods, different metals, etc… Once you’ve got everything in, you set light to the top of the sawdust and let it burn away slowly.  There’s no glaze involved: the look of the finished ware is entirely dependant on the chancy business of how the materials in the kiln burn. So, for some time, I was walking around looking at everything, thinking, ‘Will that burn?’ and ‘What will it bring if it does burn?’ I got a bit fixated..

sd-bone-beads

I’m mad about the results. I feel I can enthuse more because there’s so much chance involved, so I can’t claim that much credit. I had been pretty apprehensive about what would happen in the firing. I feared that everything would just get oxidised and turn black because there’s so little surface area on a bead. Don’t get me wrong, there are amazing studio ceramicists whose work is largely focused on using and adapting the blackened surface that can be achieved on sawdust fired ware (and, the wholly black beads I got are lovely); I just wanted to try all the things at once and, hopefully, get lots of variety.  So I was pretty thrilled to discover all these rich colours and subtle details as I cleaned the ash away from the beads. Thrilled to the point of thinking, ‘Oh my goodness! I just want to do nothing but sawdust firing all the time for the forever now!’

sd-buds

One thing I did contribute was a hell of a lot of burnishing. I feel a little giddy when I reflect on the hours which I spent rubbing away at these pieces. And then, once they were out of the firing, there was a whole heap of polishing and waxing. It’s crazy time consuming, but the finished surface is so nice.

ad-burnished-rounds-1

(Just perfect for Autumn, hey?)

ad-burnished-rounds-2

In my reading around the subject, I discovered a way in which I can actually carry on doing sawdust firing on a smaller scale – which pleases me very much!  I had been in two minds about it, but now it seems I’ll be able to make more, I’m ready to part with some of these. I’m still havering on pricing, given how long it took me to burnish and polish some of them. There are also some more kinda matt sawdust fired beads which I didn’t burnish and they will be cheaper.

sd-cones

Which means it’s update time! And I’ve just finished a large load of my regular fired, glazed beads too. I’ll share some pictures of those here in the next day or so, once I’ve got some taken, and I’ll confirm details of the update. It will be next week some time. In the meantime, here’s some more sawdust fired lovelies…

sd-head-pins

sd-spindles-1

sd-spindles-2

sd-pebble-nuggets

sd-little-logs

sd-tusk-charms

sd-carved-and-faceted

sd-pods

Oh, I haven’t included a link to the bead shop! Here’s one now!

Smitten Charity Jewellery Auction, in aid of Mind

For the last couple of years I’ve participated in a fabulous fundraising event, donating jewellery to be auctioned to raise funds for different charities. It is organised by Claire Braunbarth of Smitten Beads, with able support from Lindsay Phillipson and Kate Floate, and goes by the name, So Good I’m Smitten. And, all the jewellery that is made and donated is created by Smitten customers using some of the lovely beads that Claire sells. In 2014 we raised over £1200 for the The Alzheimer’s Society, and last year over £1800 was raised for Macmillan Cancer Support. This year’s charity is Mind, the mental health charity. As you may or may not know, it’s a cause that means a great deal to me; and, with NHS mental health services being ever more stretched, underfunded, and cut back, alternative sources of support are particularly vital right now. The auction takes place online, on a dedicated Facebook page. It’s really easy to participate; you don’t have to sign up or join anything. You just need a Paypal account to make your payment/donation – and a desire to own some lovely jewellery. You can see an album of all the jewellery that is available here. As you’ll see, the reserve prices are set at a very affordable rate. The auction starts today (15th July) at 5pm and runs until 8pm on Sunday evening (17th July). Here are the pieces I’ve donated. I’ve mixed in some of my ceramic pieces with the Smitten supplies.

SGIS bracelet lagoon feathers circles SGIS pendant necklace pendant on bust moorish

Here’s another link to the event page. And, again, a link to the auction album where you can place your bids. I do hope you’ll hop over and take a look!

Stacked Earrings IV

It’s been a long old time since the last round of the Stacked Earrings Challenge, initiated by the marvellous Malin de Koning (full details here!). This latest batch of beads was sent by Rebecca Anderson. Before I received them, Rebecca had ‘warned’ me that I might need to dig out my neutrals. I would expect nothing less than full on colour from Rebecca!; but it hadn’t occurred to me that I might have a difficulty with that. But I did! And now, looking back over my most recent jewellery posts here or at the first page of my shop, I see that my work has become predominately neutral in colour lately. So, yes, this was more of a test than I’d anticipated! Here’s what Rebecca sent (Thanks for the photo, Leah!).

12694508_10153593350643073_5537444787674999647_o

As you can see, there’s some gorgeous beads here. And lots of really strong colours. I’m a big fan of rings and discs – which are perfect for stacking and sitting within each other – so I was really pleased to see all of those in the mix. To deal with the colour issue I’ve generally just gone with one or two brights and combined them with softer or more neutral shades. I’ve always really like those two tone, dotty, czech glass ovals, so they were one of the first things I reached for.

Whispering In The Hall 1

I’ve mixed a number of the little beads from Rebecca’s pack into the tassels.  Next, I was drawn to the combination of turquoise and yellow alongside some bright red.

framed

In truth, I’m not entirely happy with these. I’ve fiddled with them but ultimately they’re not right so they’ll be going in the chop box. Still, I thought I’d share them since they were part of the process and met the criteria. I’m also in two minds about these.

yellow centre

Last year, when I had a bit of a what-am-I-doing? jewellery wobble, I told myself that I would only list things with which I was totally happy. I’ve tried to stick to that but you can’t be completely over the moon about everything…. can you? Anyway, I’ve been bearing that in mind recently. I like the different elements of these earrings but together they’re not quite right.

I’m happier with these. I like the soft, faded pistachio with the dark metals.

A Later Age

Whenever I see turquoise and red, it always makes me think of Rebecca, as it’s one of her favourite combinations. So, to me, these are a very Rebecca pair.

Your Queen 1

I really wanted to add some gold into the mix here but when I did it was just too bright and brassy. Thank heavens for Novacan! Do I need to mention that the drops are from Petra? Here’s another pair that I’m a bit uncertain about.

Sunspots 1

I was unreasonably pleased when I discovered that the concentric rubber rings sat just inside the orange dots on Jana‘s earring charms. I added the grungy chains last as the earrings were feeling a bit too clean cut. But now I’m thinking that I could do to include some more grungy metal in the stack at the top. Shall I start again or leave them be? Hmmmm…

Finally, this pair of floozies.

Fierce, fiercer, fiercest 1

I reckon these’ll do.

Remarkably, I’ve managed to list all four pairs with which I’m definitely happy on Etsy.

Huge thanks to Rebecca for providing such a lovely – if challenging! – pack. I’m always so intrigued to see what everyone else has made; and so amazed by both the variety of designs and the points of connection. Go look see!:

Rebecca Anderson – Songbead

Leah Curtis – Beady Eyed Bunny

Malin de Koning – Beading by Malin de Koning

Heidi Post – Ex Post Facto

Xmas Posting Deadlines and New Earrings

Evening all! I hope you’re contending okay with all the pre-xmas stuff. I’m happy to be winding down a little now. I haven’t done any Christmas craft fairs this year (and I’d be lying if I said I’ve missed them), but I have been pretty busy making jewellery and listing it in the Etsy shop. (I’ve also been working away on new beads and setting up my new mini metalwork space(!) – more on that soon.) If you’re in the States, there’s still time to get yourself some Christmas treats. Royal Mail are giving Tuesday, 15th December as the last date for post to be delivered in the US in time for Christmas day. I’ll be doing post office runs tomorrow and on Tuesday, so now’s the time to get your orders in. For details of the last shipping dates for all other countries, please refer to this chart. There’s still time to get items sent to most European destinations, and also Scandinavia. I’ve just listed a little crop of new earrings, including some new favourites! Here they are – (and here is where they are available to purchase!)Living By The Water 1Wherever I've Been And Gone 1A Word I Rarely Use 1Francesca 1You Promised A Stone From Your Heart 1Thanks for being free 1Signs, Scars 1Move The Faders 1Never Wrote A Letter 1celeste 1That’s the lot – for now!  Here’s the shop link again. This may be the last lot of jewellery I list this side of Christmas; however, given my love of earring making, I can imagine that I may be adding a few new things before then…

BIRTHDAY SALE – 25% OFF!!

So, yeah, it’s that time of year again: me getting that bit closer to 40. As is customary, I’m not going to be having any wild celebrations, but it’s also customary for me to offer a discount code so you can make a saving and get yourself a present. The bead shop is rather bare but I’ve just topped up the jewellery shop with lots of new good things in the last day or so (including some real favourites), so I’m offering 25% off all jewellery this weekend. The coupon code is BIRTHDAY25 – just enter it in the little box marked ‘Apply Coupon Code’ when you check out on Etsy. Here’s all the new things that I’ve listed in the last couple of days. (PS. yes, I’ve copped out on putting in all the bead makers again – faaaar to many to mention right now!)

one hurt colour 1

All Things Counter 1

All This and Not ordinary 1

3

At Home With Strangers 1

beautiful element of unreason 1

Close To 1

found, wanting 1

imagination enough 1

lichen 1

light years 1

of or pertaining to dragons 1

one inhabitant of me 1

potentilla 1

shrill antithesis 1

skyline 1

Tangibles 1

the firecat 1

there's a name for everything 1

Violet on Slate 1

What We Are Missing 1

whispering consultations 1

So, the coupon code: BIRTHDAY25; The shop: This way!

More CABM Auctions

Just a quick post to let you know that I have some more pieces up for auction on the Ceramic Art Bead Market on Facebook. The auctions end at 9.45 on Tuesday night (BST). (If you’re not a member, it’s easy to join. Simply go to the page and click on ‘Join Group’.) It’s mainly more whimsical, colourful, fun stuff this time, including ooak pieces that I won’t be making again. Here’s what’s available:bird pair

parrot 1

misty morning lentil 1There’s some more head pin bundles. I’m pretty stuck on handmade headpins at the moment.head pin bundle D 3headpin bundle c 3And finally, one of these metallics stoneware bead sets –metallics bead set 1

And here’s another link to CABM…